Skip to main content

The Millnong project and descriptions with no author

Kripke's take on fictional characters is in line with the idea that those characters are description-dependent. They don't have in themselves the modal open horizon of life. They have no world other than the one fixed by their defining descriptions (if they live in a world at all). They are like monads: worldly beings. On this account, there is a clear difference between fictional and non-fictional characters. To be sure, there are many ways to be in-between - one of them is when we don't know whether the character is fictional, in which case there is a sheer (maybe incorrigible) ignorance about the character. Another intermediary case would be characters around whom there are many legends. I guess then one can say: what is true of the legendary character could be untrue of the real one. If we insist in the principle of indiscernibility of the identicals, they would be two different entities. Proceeding like this, one could maybe always determine the crucial question concerning about what the term is - about a fictional or a non-fictional character. And maybe (if we still go with Kripke here) it doesn't matter whether we can answer this crucial question. (For example,the crucial question about a gospel is whether it was written with the intention of being about Jesus or not.)

The idea of the Millnong project (direct reference for non-concreta, especially for non-existing objects) is that fictional objects could be accessed in ways that dispense (and revise) descriptions. There could be a revision about fiction, and we are not slaves of descriptions (I do want to make the analogy with the contrast between descriptive and revisionary metaphysics vivid here). The project - maybe impossible to be executed - is to find a way to enable characters to escape from their original fiction. The first trick that comes to mind is to make use of the multiple description associated to a fictional character so that the character satisfies most but not all of them (like in Searle's cluster theory). So, if someone looks like Holmes, it is enough for him to be Holmes in another world (where other things could happen to Holmes). From Kripke's perspective, this won't do. I'm looking for other ideas to pursue the Millnong project. It is not enough to postulate a separate realm of objects (mental or otherwise) and claim that they are not just description-satisfiers.

The Millnong project seems important for me because there are cases where there is no fact of the matter about what the description was about. Maybe all fiction is somehow about things the author is unaware of - like in a shamanic revelation. Markus Gabriel's ontology of senses would make a lot of sense for these cases. But it makes everything hostage to their corresponding (multiple) senses - or descriptions. The alternative would be to find a way for a description to fix a reference without caging it. In non-fictional characters, we appeal to the features of the concrete - mostly spatio-temporal. These features compose a plane, a space where things happen, where everything else is - concrete things co-exist (somewhere). The Millnong project asks whether there is anything like this plane of haecceities for non-concreta.


Comments

Post a Comment

Popular posts from this blog

Dismantling absolute contingency

I´ve been wondering about whether we can formulate something about contingency along the lines of a principle of irreduction: aucune chose n´est par elle-même contingent ou necessaire . The principle asserts that necessity is always contingent on underlying fixed things: something is physically necessary (or contingent) given the fixed laws of nature, something is deontically contingent - allowed - or necessary - mandatory - given the fixed ethical rules (or laws of the land). Finally, something is logically necessary (or necessary simpliciter) given a fixed logic. The irreducible diversity of ethical rules, the absence of eternal laws of nature and the plurality of logical systems, if accepted, makes necessity relative to those parameters. An aggiornamento of Heraclitus would have that nothing is necessary comes what may. Surely, of couse, if there is no absolute necessity, there is no absolute contingency. We can then say that in a broader, more abstract level, things are up for grab...
6 comments
Read more

Necropolitics and Neocameralism

It is perhaps just wishful thinking that the alt-right seemingly innovative and intrepid ideas will disappear from the scene as Trump's reign comes to an end. They have their own dynamics, but certainly the experiences of the last years, including those in the pandemics, do help to wear off their bright and attractiveness. Neocameralism, what Mencius Moldbug and Nick Land with him ushered in as a model of post-democracy that relinquish important ingredients of the human security system, is one of these projects that is proving to be too grounded in the past to have any capacity to foretell anything bright beyond the democratic rusting institutions. It is little more than necropolitics - which is itself a current post-democratic alternative. Achile Mbembe finds necropolitics in the regimes were warlords take over the state-like institutions (or mimick them)  to rule on the grounds of local security having no troubles killing or letting die whoever is in their path. Neocameralism pos...
Post a Comment
Read more

The Cathedral and the axiomatics of capital

Today in my Cosmopolitics of Capital class, instead of discussing Lyotard´s evil book in connection to Moldbug and Land´s ideas, as planned, we spent hours considering bits of The Anti-Oedipus under the light of Neo-cameralist ideas and some remarks Land makes about the horror that is often triggered as an emotional response to (Neo-cameralist) statements about the Cathedral. We concentrated on the bit of chapter 3, section 10 where Deleuze and Guattari talk about class struggle and the bourgeoisie as a class eroder. There they describe how capitalism decodes the flows of castes, orders, and classes in the sense of feudal aristocracy, serfdom and peasantry. The erosion affects also the proletariat that is never associated with a specific job or type of service but rather a decoded abstract worker. This decoding is precisely what makes the proletariat universal and directly linked with the productive forces - which means, for Deleuze and Guattari, that they are potentially the schizo, ...
Post a Comment
Read more