Skip to main content

Peformance and thought

Been reading Avelina Lésper, a Mexican anti-performance writer. She claims that performances don't add anything to the knowledge, experience, courage and sense of body accumulated by art, science, philosophy and activism. She compares, for example, Marina Abromovic with some Greenpeace actions favoring the latter for the courage of being exposed to a real vulnerability. I think performance deals with the ordinary. It is about bringing stuff to the fore and doing it in the midst of things. I tend to think of it as being crucially stage-less even though Abramovic's (for example) stuff is often protected by the stage-like setting of a gallery. In any case, it has few features that I find interesting. (And, indeed, performances sometimes add nothing to the pile Lésper presents, but surely they're not about adding something to the pile, let alone adding something to any pile in particular.) The features:
1. It starts out with a goal but then gets disturbed by whatever else is around (in galleries it becomes indeed more immune).
2. It interferes in a space of co-existence and therefore is affected by co-exiting with other events.
3. It invokes a possession - it is not a representation but an incorporation of a character. It is a vehicle to convey its theme. Possession could occur in different degrees but the act sets the stage for it to happen.
4. It can go astray - it is no implementation of a plan or a script. It drifts.
I guess these features are also features of thought. Surely, there are different kinds of thought (I was thinking of Laruelle's image of a philosophical decision providing a stage-like setting for thought). But in all cases, thought is not scripted, it doesn't deal in representations and it doesn't interact with other thoughts through as if they were fictional characters to be dealt with through descriptions...


Popular posts from this blog

My responses to (some) talks in the Book Symposium

Indexicalism is out: l   The book symposium took place two weeks ago with talks by Sofya Gevorkyan/Carlos Segovia, Paul Livingston, Gerson Brea, Steven Shaviro, Chris RayAlexander, Janina Moninska, Germán Prosperi, Gabriela Lafetá, Andrea Vidal, Elzahrã Osman, Graham Harman, Charles Johns, Jon Cogburn, Otavio Maciel, Aha Else, JP Caron, Michel Weber and John Bova. My very preliminary response to some of their talks about the book follows. (Texts will appear in a special issue of Cosmos & History soon). RESPONSES : ON SAYING PARADOXICAL THINGS Hilan Bensusan First of all, I want to thank everyone for their contributions. You all created a network of discussions that made the book worth publishing. Thanks. Response to Shaviro: To engage in a general account of how things are is to risk paradox. Totality, with its different figures including the impersonal one that enables a symmetrical view from nowhere

Hunky, Gunky and Junky - all Funky Metaphysics

Been reading Bohn's recent papers on the possibility of junky worlds (and therefore of hunky worlds as hunky worlds are those that are gunky and junky - quite funky, as I said in the other post). He cites Whitehead (process philosophy tends to go hunky) but also Leibniz in his company - he wouldn't take up gunk as he believed in monads but would accept junky worlds (where everything that exists is a part of something). Bohn quotes Leibniz in On Nature Itself «For, although there are atoms of substance, namely monads, which lack parts, there are no atoms of bulk, that is, atoms of the least possible extension, nor are there any ultimate elements, since a continuum cannot be composed out of points. In just the same way, there is nothing greatest in bulk nor infinite in extension, even if there is always something bigger than anything else, though there is a being greatest in the intensity of its perfection, that is, a being infinite in power.» And New Essays: ... for there is ne

Necropolitics and Neocameralism

It is perhaps just wishful thinking that the alt-right seemingly innovative and intrepid ideas will disappear from the scene as Trump's reign comes to an end. They have their own dynamics, but certainly the experiences of the last years, including those in the pandemics, do help to wear off their bright and attractiveness. Neocameralism, what Mencius Moldbug and Nick Land with him ushered in as a model of post-democracy that relinquish important ingredients of the human security system, is one of these projects that is proving to be too grounded in the past to have any capacity to foretell anything bright beyond the democratic rusting institutions. It is little more than necropolitics - which is itself a current post-democratic alternative. Achile Mbembe finds necropolitics in the regimes were warlords take over the state-like institutions (or mimick them)  to rule on the grounds of local security having no troubles killing or letting die whoever is in their path. Neocameralism pos