Skip to main content

Indexicals and dispositions: two varieties of perspectivism

It is common to understand opaque contexts as those where things appear as something - as opposed to transparent contexts where things appear as such. It is a tricky distinction, surely. But still sometimes a useful one. Descriptions of qualities or modes of presentation introduce a sort of opacity. Think of dispositions, for example.
When A is (physically) intended towards B, A intends a bill to be fitted that it happens to be satisfied by B. It doesn´t really matter what else B is, provided that it is, say, a mammal, a glass of water or a piece of solid ground that holds some weight. A sees B as something. I have been suspecting for a while that here we are very close to the talk of perspectives. There is a sense in which A has a perspective on B. Interestingly, it is not the kind of perspective that is brought about by indexicality.

Kit Fine, for instance, in his studies of perspectives focused primarily on tense, considers those perspectives brought up by the A-series of McTaggart (past, present, future). Fine´s approach could also tackle perspectives like that of the actual world (as this world) or the ones of my (first-person) view as opposed to a third person perspective. In all those cases, perspectives arise from indexicals - me, now, this, here etc. Similarly, when Viveiros de Castro diagnoses a perspectivism in the multinaturalism of the native Amazonians, he connects a perspective with a body: different bodies (like that of a human and that of a jaguar) have different perspectives. Perspectives has to do with the position one occupies, it is a point of view, a pointer towards something and, in that sense, it depends on being in a space, in a location - a view from somewhere.

Leibniz, in his late work Monadology, talks about the perspectives of a monad and, in section 57 compares these perspectives with the point of view on a single town available from different parts. It is a complicated comparison because he conflates two varieties of perspective. The idea of a point of view insinuates a location from which something is viewed. And yet monads have no location. They occupy no space in the system of late Leibniz. In a letter to des Bosses dated of 1709 Leibniz explains his shift from a notion of individual substance as souls that are like points (with a location in space but no dimention) to his later view that they are not spatial and have no location. It is part of his move from a doctrine of bugs all the way down to the doctrive of monads representing and expressing themselves in the bit of matter they govern - and that is itself governed by other monads. But if the monad has no location, it cannot have a perspective in the point of view sense, in the indexical sense. Leibniz´s monads have perspective in the former sense above, of taking something as something. Each monad takes the others to be something for it. It is a perspective on the world so far as there is a preestablished harmony. Monads have no body (they express themselves best in bits of the matter, but not for ever). To be sure, perspective in this sense is also related to location, but it is rather about location in the configuration of things (of monads). To have a perspective is somehow to represent something as something. The representation can be anywhere. Dispositions also represent. Dispositional perspectives are different from indexical ones.

Comments

Popular posts from this blog

Hunky, Gunky and Junky - all Funky Metaphysics

Been reading Bohn's recent papers on the possibility of junky worlds (and therefore of hunky worlds as hunky worlds are those that are gunky and junky - quite funky, as I said in the other post). He cites Whitehead (process philosophy tends to go hunky) but also Leibniz in his company - he wouldn't take up gunk as he believed in monads but would accept junky worlds (where everything that exists is a part of something). Bohn quotes Leibniz in On Nature Itself «For, although there are atoms of substance, namely monads, which lack parts, there are no atoms of bulk, that is, atoms of the least possible extension, nor are there any ultimate elements, since a continuum cannot be composed out of points. In just the same way, there is nothing greatest in bulk nor infinite in extension, even if there is always something bigger than anything else, though there is a being greatest in the intensity of its perfection, that is, a being infinite in power.» And New Essays: ... for there is nev...

Talk on ultrametaphysics

 This is the text of my seminar on ultrametaphysics on Friday here in Albuquerque. An attempt at a history of ultrametaphysics in five chapters Hilan Bensusan I begin with some of the words in the title. First, ‘ultrametaphysics’, then ‘history’ and ‘chapters’. ‘Ultrametaphysics’, which I discovered that in my mouth could sound like ‘ autre metaphysics’, intends to address what comes after metaphysics assuming that metaphysics is an endeavor – or an epoch, or a project, or an activity – that reaches an end, perhaps because it is consolidated, perhaps because it has reached its own limits, perhaps because it is accomplished, perhaps because it is misconceived. In this sense, other names could apply, first of all, ‘meta-metaphysics’ – that alludes to metaphysics coming after physics, the books of Aristotle that came after Physics , or the task that follows the attention to φύσις, or still what can be reached only if the nature of things is considered. ‘Me...

Memory assemblages

My talk here at Burque last winter I want to start by thanking you all and acknowledging the department of philosophy, the University of New Mexico and this land, as a visitor coming from the south of the border and from the land of many Macroje peoples who themselves live in a way that is constantly informed by memory, immortality and their ancestors, I strive to learn more about the Tiwas, the Sandia peoples and other indigenous communities of the area. I keep finding myself trying to find their marks around – and they seem quite well hidden. For reasons to do with this very talk, I welcome the gesture of directing our thoughts to the land where we are; both as an indication of our situated character and as an archive of the past which carries a proliferation of promises for the future. In this talk, I will try to elaborate and recommend the idea of memory assemblage, a central notion in my current project around specters and addition. I begin by saying that I ...